Curatorial statement

In the intricate dance of power and resistance, the figure of “The Man” emerges as both oppressor and target. This exhibition delves into this complex interplay, using the concept of the icon and the provocative figure of Julius Malema as lenses to examine the multifaceted nature of authority, identity, and rebellion. Icons are potent symbols, encapsulating ideals, beliefs, and cultural values. They transcend mere representation to become embodiments of collective identity.

In this exhibition, we explore how icons are constructed, deconstructed, and repurposed to serve various agendas. From religious figures to political leaders, the iconography of power is both revered and reviled, celebrated and contested. As a polarizing figure in South African politics, Julius Malema epitomizes the dual nature of “The Man.” To some, he is a champion of the marginalized, a vocal advocate for economic freedom and social justice. To others, he represents a disruptive force, challenging the status quo with incendiary rhetoric and radical demands. Through his public persona, Malema navigates the fine line between icon and antagonist, embodying the struggle for power in a post-colonial context. This exhibition features a diverse array of artworks that engage with the theme of “The Man” through the lens of iconography and the figure of Malema. Through these “studies” the artist invites the viewer to reflect on the construction of power resistance and subversion, identity and representation, historical and contemporary Contexts.

A study allows an artist to explore and understand a particular subject, concept, or technique. These studies are crucial for allowing artists to experiment, refine their technical skills, solve visual and conceptual problems, and develop their ideas more fully. They also serve as a visual record of the artist’s process and progression. By repeatedly working on the same subject, artists can explore different aspects such as form, light, colour, and composition, helping them gain a deeper understanding of their subject, developing not only their skills and ideas but also leading to more resolved and impactful final works.

“Indoda” seeks to provoke critical thought and dialogue about the nature of power and its representation. By examining the interplay between iconic figures and the societal forces they embody, we hope to illuminate the complexities of authority and resistance in our world. Through the lens of Julius Malema and other iconic representations, we invite you to explore the enduring struggle for power and the relentless quest for justice.